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works… Stay tuned for updates soon!

Back in action!

The moving is done, and I’ve settled in to the new spot in Long Island City! It’s a great space with an awesome vibe, and a host of cool sound toys I’m looking forward to putting to good use making great music.

To celebrate the new space, i’m putting up

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- Rick

A New Home

Hi everyone!

I’m happy to announce that Buskerville will be resuming operations in March! I’ll be moving over to a

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great space nearby, and am excited to make music with some great gear, including a gorgeous Steinway piano.

I’ve posted some pictures of the new space on the site, and will be updating the website further once the move is complete, but stay tuned to Facebook & Twitter for future updates, including some great deals to celebrate a new start at this awesome studio.

For any inquiries, feel free to contact me via email (, or call me @ 347.875.7735

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Pardon the dust…

Buskerville is undergoing some changes… Stay tuned, new website update soon!





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February Farewell…

Hello everyone!

It is with great sadness that we must announce Buskerville will be suspending operations at the end of February. The combination of the weather and ensuing

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building maintenance issues beyond our control have prevented us from operating normally in January, and the financial toll of this has put the situation beyond our control.

We are extremely appreciative of everyone that contributed to our fundraising effort, your support gave us a shot at doing something unique at Buskerville, and for that we are truly grateful.

That being said, we want to make sure that everyone’s support and contributions make the greatest possible impact for independent musicians before we have to go!

Starting on Monday Feb. 10th, through Sunday Feb. 16th, we’ll be having a “Mics up week”! Mics will be up, wired, ready to level, and artists will be welcome to come in and record whatever they’d like.

The best part?

It’ll be “Pay What You Can”!

We want to make this available to as many artists as

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possible, so sessions will be limited to 6hrs per artist/band, and will require prior reservation.

Once again a big thank you to all the musicians, fans, family, and friends that have supported our efforts throughout. We wouldn’t have made it this far

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without all of you!

A word from Rick

Hi! My name is Rick Torres, and i’m the founder of Buskerville. If you’ve spent time

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on our website and Indiegogo site, you probably have a decent idea of what we are trying to accomplish with Buskerville. However, I wanted to take a moment to share my own reasons for starting Buskerville.

As a little background, i’m a producer, engineer, and musician who has lived and worked in New York City since 2006. While I have over a decade of expertise writing and recording music, i’m not famous, haven’t won Grammys, don’t have an entourage, and am very much a “behind the scenes” kind of guy.

What I do have is a deeply seeded love for music; listening, playing, recording, producing, it doesn’t matter. I’m also a big fan of driven people. Witnessing incredible talent is always inspiring, but i’ve always been drawn to stories of people that succeeded because of dedication and drive, even if they weren’t the most naturally gifted. My “dream” is to work with as many people like that as I possibly can, and be a part of their music in whatever way helps. It’s not the most lucrative path, but one I am happy to walk, nonetheless.

So why Buskerville?

When I came to New York, I was immediately struck by the opportunities available to musicians. It’s a dynamic city full of artists and art lovers, with access to the resources anyone would ever need to make music. Unfortunately this comes at a cost, namely the cost of living. Rent is expensive, so is food, and that leaves very little for the average person to pursue music. Rehearsal space is limited, and recording is expensive, making this even harder. There

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were many times where I felt like I might as well live on another planet, as many of the resources I craved to further my own music were overwhelmingly out of reach to a middle class guy, like me who still had to figure out how to get by month to month.

I realized there was a need for a place where dedicated musicians could find support for their art. I spent some time producing and recording out of my apartment and practice room, but found that I missed the collaboration that comes along with working with live musicians. Through time I put together a solid (albeit modest) recording system, and came across the opportunity to build a small studio in Queens. I wanted to create a place that encouraged artists to dedicate ample time to the development of their art, in a way that had minimal impact on their financial resources. The thought was this would allow musicians to focus on the artistic component of their craft, while freeing up their financial resources to pursue opportunities for exposure and further growth.

The challenge was how to pull it off. I’m not a wealthy person, so how could I offer access at a cost low enough to help other musicians, yet be able to afford to keep it together?

I began by finding out what the lowest recording rate I could sustain was. Lowering the hourly rate as much as possible was the first step, however from my years as a musician I’ve learned that there is no substitute for practice. Recording can be a daunting task, but when someone is comfortable and confident in what they are playing, it becomes an extremely fun and creative process.

The key was practice. If I could find a way to encourage musicians to practice more, they would make better recordings, while lowering their recording costs in the process. Furthermore, if they could practice in the studio itself, it would give them a familiarity with the space that would make the recording process much less stressful, yielding a

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more creatively rewarding experience.

Thinking about this I realized that as a recording studio, we are often in phases of projects that don’t require our live room. I could make use of that unused time and space to provide a rehearsal resource, and by doing it on a “pay what you can” basis, it would have minimal impact on artist’s budgets. The benefits of this extra practice time would benefit all aspects of their music from recording to performing, and ultimately free up resources to share their music with others. It would also encourage collaboration…

Which brings me to community. Since Buskerville started a little over a year ago, I’ve seen what this place can be. There’s been bands who were finally able to record their first EP, singer-songwriters that have found other musicians to write and perform with, and even a regular here, who used the space to practice leading to an audition that landed him a touring drummer job with a national label signed act. The roots of the community I hoped to build have taken hold, and with time, I believe Buskerville can grow into a place where great musicians find their sound, and collaborate with others to make meaningful music. Within that budding community are also fans, friends, and family, who through their contributions and positive word of mouth help spread the word about our alternative approach to making music and the artists involved.

Thanks for taking the time to read this, I hope this gives you more insight into what this is all about, and encourages you to support our efforts.

- Rick

January 2014 – Artist of the Month – David Pollack

David singing

If you are searching for something fresh to add to your music collection, tune your ears to David Pollack. I had the pleasure of speaking with David Pollack leading up to the release of his debut album, “Put It Into Words”, and let me tell you, he is one you wanna keep an eye on! It is apparent that David has grown with his music from the days when he was a part of local NYC act, “Bridges”, and it’s a much welcome development. Unrequited love is the predominant theme portrayed in this melodic ride that glides feverishly to the backdrop of the inescapable hooks and driving rhythm, but it is done in such a way that avoids the depressing moping often found in themes such as these, and instead leaves the listener with the happiest and hopeful of broken hearts.

When I first heard his music,

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I immediately thought of Ted Leo and the Pharmacists so I was curious to know what acts had influenced him. David talked about how Death Cab for Cutie and Weezer are his idols among some others, but he succeeds in blending those influences with his own signature sound to create a musical experience that is unique yet familiar and accessible to the average listener. His lyrics are often

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so deliciously intertwined with the melody, it reminds me of “I Will Possess Your Heart” by Death Cab for Cutie.

Beyond his prowess as a singer/songwriter (evidenced in his upcoming album), David is a proven stage performer. I’ve seen him perform a couple of times and have been struck by his consistently energetic stage performances, so I had to ask how he gets himself pumped for shows. The answer: Lost Kingdom by God Is An Astronaut. David continues to explain,

“Since I started playing in Bridges with my friend Steele Kratt, Lost Kingdom by God Is An Astronaut has become a must listen before a show. He would always blast it in the car driving over the Williamsburg Bridge on the way to gigs in Manhattan, and it kinda stuck with me and became a thing.”

We also spent some time discussing an artist’s showmanship. David recounted,

“In high school, I played a show when I faded in oblivion with the lyrics. I forgot where I was. I forgot that I was on a stage. I lost it and played with every inch of my soul. When I finished, I shot back to reality…. in front of an entire crowd. They stared at me, while I stared at them, bare.It seemed as the crowd just arrived back from another place with me and then they roared with happiness. Ever since then, I realized how important showmanship is. “

He notes that in this age of technology and social media everyone has their own “stage” to an extent, and as such, cutting through the noise requires engaging fans in a unique way that makes them feel part of the experience. Judging from what I’ve heard and seen so far, I’d say he’s got the right idea.

David Pollack

Album Release Party!

This Friday, January 10, David Pollack’ is having his album release party at the Tea Lounge in Park Slope, Brooklyn. “Put It Into Words” is David’s first full-length solo album and is scheduled for a mid-January release, but come out for a live full-band performance of the album and the opportunity to be the first to own a copy!

David Pollack in Words

David Pollack: “Put It into Words” Album Release Party

RSVP Here!

837 Union St., Brooklyn, New York 11215

Date: January 10, 2014

Time: 9:00pm

(Opening set by Sarah Miles)

(All Ages + No Cover + Cheap Drinks)

Vandal Party

If you’ve been around Buskerville in the past year, you know it’s been a rollercoaster. One of the darker points in the last few months was our brief

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partnership with a small label. As it is with most things it began with much promise, but as time went by greed reared it’s head and we soon found ourselves losing who we were in order to fulfill someone else’s profit motive.

After it became clear the partnership would not allow us to be who we are, we decided to end it. While we attempted to find an amicable resolution, it became apparent the label had no such interest, and our efforts were met with insults and threats. Rather than respond in kind, we let things lie and moved on, assuming that doing so would let us get back to normal.

Unfortunately that wouldn’t be the end of it. Soon thereafter, members of the label entered Buskerville one midnight, and proceeded to vandalize our studio. Walls were spraypainted, and ceiling tiles were pulled down, even the building lobby and bathrooms were vandalized. Thankfully our equipment was left unharmed, which gave us the option of repairing the damage and continuing on with Buskerville.

Things have settled down since, and we’re happy to be back to normalcy. We have thought long and hard about how to

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proceed, whether or not to pursue charges and litigation (the whole incident was caught on tape), and upon reflection came to the conclusion that life is better spent making music than in a courtroom. Rather than spend our time in a miserable pursuit of legal action, we just wanted to get back to making music, and being who we are.

Nonetheless, we are musicians, and couldn’t pass up the inspiration provided by these events. We wrote Vandal Party as a catharsis of sorts, a way to turn a negative experience into a fun song that makes us smile and laugh, and in the process show how music can be a valuable tool to make the best out of a bad situation. We hope you enjoy listening to it as much as we enjoyed making it.

- Rick


The Fractals Blog

The Fractals Blog is Buskerville’s ongoing

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